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The Omnia Vanitas series is a continuation of my interest in art historical references and focuses on memento mori vignettes of botanicals and symbols of ephemerality.  

 

The images are meditations on the fleeting passage of time, the transience of material things and the inevitability of change. These quiet tableaus serve as reminders of impermanence and mortality while still celebrating the beauty of life and the physicality of plants and the play of morning light on objects.